User Tools

Site Tools


banderite

Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revisionPrevious revision
Next revision
Previous revision
banderite [2023/08/05 17:22] – [Hypothesis] jgmac1106banderite [2023/08/31 02:56] (current) – [Work Cited] jgmac1106
Line 12: Line 12:
 ===== Hypothesis ===== ===== Hypothesis =====
  
-The vilification of Stepan Bandera and the UPA, followed by his reactionary growth as a National Hero, grew out of 20 year of active measures by the Government of Russia to paint Ukrainian Nationalists as Nazis and justify Russia's eventual invasion of Ukraine. Russia's efforts in the information space then created the Ukrainian response in developing Bandera as a hero and National symbol in Ukraine.Russia in turn used this growth as evidence of far-right Banderites spreading in Ukraine.+The vilification of Stepan Bandera and the UPA, followed by his reactionary growth as a National Hero, emerged out of 20 year of active measures by the Government of Russia to paint Ukrainian Nationalists as Nazis and justify Russia's eventual invasion of Ukraine. Russia's efforts in the information space then created the Ukrainian response in developing Bandera as a hero and National symbol in Ukraine.Russia in turn used this growth as evidence of far-right Banderites spreading in Ukraine.
  
 This pattern follows common Russian disinformation techniques of having friendly or compromised academics write a flurry of research, Then Russian backed media outlets in the West would cite the Academic work and encourage sprad in Western media. This begins by writing opinion pieces which then unwitting Western journalists use in reporting. This pattern follows common Russian disinformation techniques of having friendly or compromised academics write a flurry of research, Then Russian backed media outlets in the West would cite the Academic work and encourage sprad in Western media. This begins by writing opinion pieces which then unwitting Western journalists use in reporting.
Line 42: Line 42:
 rhizoanalysis provides us with a tool to examine the story of Stepan Bandera ad a  narrative  performance to understand the Affective intensities (Coleman, 2005) of Russian disinformation campaigns.  Russia created a series of Nazi narrative performances, not so much as plan, but a series of folding monads. Self contained lies which in turn had explict connections to other lies to create a new truth that did not exist before. An analysis of how these monads and lines of flight apply help us understand how Russia tries to cast Ukraine as a Nazi state through the narrative of Stepan Bandera. While Russian disinformation tries to establish relationships built through unpredictable texts movements Russia took advantage of places where hate thrives and community is cultivated. rhizoanalysis provides us with a tool to examine the story of Stepan Bandera ad a  narrative  performance to understand the Affective intensities (Coleman, 2005) of Russian disinformation campaigns.  Russia created a series of Nazi narrative performances, not so much as plan, but a series of folding monads. Self contained lies which in turn had explict connections to other lies to create a new truth that did not exist before. An analysis of how these monads and lines of flight apply help us understand how Russia tries to cast Ukraine as a Nazi state through the narrative of Stepan Bandera. While Russian disinformation tries to establish relationships built through unpredictable texts movements Russia took advantage of places where hate thrives and community is cultivated.
  
-We also look to rhizoanalysis as we find the "space," rather than the individuals truth ,or even history, more as the variable of interest for our flights of inquiry. We do not seek to answer, "Was Stepan Bandera a Nazi?" but rather to utilize  rhizoanalysis  as a tool to understand how Russia manipulates the power behind not  “what is” but rather “what could be and could have been.” In other words, or research does not seek to understand the truth but more the textual moves Russia made to shape the folds of monads to their own desgin+We also look to rhizoanalysis as we find the "space," rather than the individuals truth ,or even history, more as the variable of interest for our flights of inquiry. We do not seek to answer, "Was Stepan Bandera a Nazi?" but rather to utilize  rhizoanalysis  as a tool to understand how Russia manipulates the power behind not  “what is” but rather “what could be and could have been.” In other words, or research does not seek to understand the truth but more the textual moves Russia made to shape the folds of monads to their own design
  
 This focus on becoming rather than being is an essential rejection of representational logic (Leander & Rowe, 2006) and also a central reality necessary for studying the unreality that is Modern Russia. Using Deleuze and Guattari’s work on rhizomes allowed us to understand the non linear relationships and how they interact in the creation of false Nazi narratives in Ukraine.   This focus on becoming rather than being is an essential rejection of representational logic (Leander & Rowe, 2006) and also a central reality necessary for studying the unreality that is Modern Russia. Using Deleuze and Guattari’s work on rhizomes allowed us to understand the non linear relationships and how they interact in the creation of false Nazi narratives in Ukraine.  
Line 54: Line 54:
  
 === Data === === Data ===
-  * Google Scholar results based on time period +  * [[Banderagooglescholar|Google Scholar]] results based on time period 
-  * Google Trend Results based on time period+  * [[Google Trends|Google Trends]] Results based on time period
   * Wikipedia edit history   * Wikipedia edit history
   * Articles published in known Russian disinformation sources   * Articles published in known Russian disinformation sources
Line 61: Line 61:
   * Google News search at three time points 2004-2006, 2013-2026, 2022-2023   * Google News search at three time points 2004-2006, 2013-2026, 2022-2023
   * Peer reviewed and retracted articles   * Peer reviewed and retracted articles
-  * retraction and response to Dr. Katchanovskis Maidan study.+  * List of [[Ukrainian_OUNB_Cult|Ukrainians]] mentioned as cult 
 +  * Publicly available author bios for [[lying-journalist|journalist]] who must know they lie. 
 +  * [[Ukrainian Diaspora Journals]]
  
-=== Work Cited ===+ 
 +==== Analysis ==== 
 + 
 +More a journal of steps we took for now. 
 + 
 +1. Did Google Trends search of Stepan Bandera for 2002-2022 
 +2. Creating a [[https://docs.google.com/spreadsheets/d/1V1QSf-KwvWwMawsLQjNBvxZehy_UoP442UF42KEPlkk/|chronological matrix]] of academic publications, newspaper articles and opinions, wikipedia edits,public opinion polls, state media data, monuments. Needed for rudimentary histriogrphy of narratives 
 + 
 +==== Results ===== 
 + 
 +==== Discussion ==== 
 + 
 +==== Conclusion ==== 
 + 
 + 
 +==== Works Collected ==== 
 + 
 +Artifacts and evidence more than sources
  
 Bekeshkina, I., Sydorchuk, O., Burakovskiy, I., Zolkina, M., Haran, O., Chabanna, M., & Kermach, R. (2017). Constructing a Political Nation: Changes in the Attitudes of Ukrainians during the War in the Donbas. Stylos Publishing. Bekeshkina, I., Sydorchuk, O., Burakovskiy, I., Zolkina, M., Haran, O., Chabanna, M., & Kermach, R. (2017). Constructing a Political Nation: Changes in the Attitudes of Ukrainians during the War in the Donbas. Stylos Publishing.
Line 94: Line 113:
  
 Melnyk, O. (2019). From the “Russian Spring” to the Armed Insurrection: Russia, Ukraine and Political Communities in the Donbas and Southern Ukraine. The Soviet and Post-Soviet Review, 47(1), 3-38. Melnyk, O. (2019). From the “Russian Spring” to the Armed Insurrection: Russia, Ukraine and Political Communities in the Donbas and Southern Ukraine. The Soviet and Post-Soviet Review, 47(1), 3-38.
 +
 +Khaldarova, I. (2021). Brother or ‘Other’? Transformation of strategic narratives in Russian television news during the Ukrainian crisis. Media, war & conflict, 14(1), 3-20.
  
 Nikolaev, N. Y., Yurchenko, D. S., Yu Nikolaev, N., & S Yurchenko, D. Media Space As A “Battlefield”: A Historical Narrative Of Modern Ukrainian Media. European Proceedings of Social and Behavioural Sciences, 102. Nikolaev, N. Y., Yurchenko, D. S., Yu Nikolaev, N., & S Yurchenko, D. Media Space As A “Battlefield”: A Historical Narrative Of Modern Ukrainian Media. European Proceedings of Social and Behavioural Sciences, 102.
Line 121: Line 142:
  
 Temirov, B. STEPAN BANDERA’S PERSONALITY IN THE INFORMATION CONFRONTATION. EVROPSKÝ FILOZOFICKÝ, 93. Temirov, B. STEPAN BANDERA’S PERSONALITY IN THE INFORMATION CONFRONTATION. EVROPSKÝ FILOZOFICKÝ, 93.
 +
 +Tottle, D. (1987). Fraud, famine and fascism: The Ukrainian genocide myth from Hitler to Harvard. Progress Books.
  
 Yurchuk, Y. (2017). Reclaiming the past, confronting the past: OUN–UPA memory politics and nation building in Ukraine (1991–2016). War and memory in Russia, Ukraine and Belarus, 107-137. Yurchuk, Y. (2017). Reclaiming the past, confronting the past: OUN–UPA memory politics and nation building in Ukraine (1991–2016). War and memory in Russia, Ukraine and Belarus, 107-137.
banderite.1691256126.txt.gz · Last modified: 2023/08/05 17:22 by jgmac1106